青木柊野
フォトグラファー / アートディレクター
1998年秋田県出身。東京工芸大学写真学科中退。
2017年に発表した作品群「hill」を皮切りに、展示やパブリケーションを通して実験的な作品を多数発表してきた。制作のアプローチは多岐にわたり、薬剤を用いたエフェクティブなフィルム写真表現をはじめ、「luminous body’s」（2018）では、古いPCのストレージ容量に負荷をかけることで生じるバグをキャプチャする手法を用いて制作を行った。また「autonomy」（2019）では、撮りためた無数の写真からAIを用いて新たな図像を生成するなど、作品制作を通じて写真表現を拡張する試みを続けている。 アナログから人工知能まで幅広い手法を横断し、プロジェクト「cejitos」（2023）では無意識のタイピングを起点にアメリカでのフィールドワークを行うなど、多様な制作方法を取り入れながら、写真史における現在地と自覚的に向き合い続けている。ファッション、広告などの分野でも幅広く活動。
Syuya Aoki
Photographer / Art Director
Born in Akita, Japan, in 1998, he studied in the Department of Photography at Tokyo Polytechnic University before leaving to pursue his own practice.
Since debuting his series hill in 2017, he has been presenting a wide range of experimental works through exhibitions and publications. His practice spans diverse approaches, from chemical interventions on film to glitch-based works such as luminous body’s (2018), created by overloading an old computer’s storage to capture the resulting visual errors. In autonomy (2019), he employed artificial intelligence to generate new imagery from a vast archive of his photographs, continuing his exploration of expanded photographic expression.
Working fluidly between analog processes, digital technologies, and conceptual fieldwork—as in his 2023 project cejitos, which began with unconscious typing and led to research trips in the United States—he remains deeply engaged with examining and reinterpreting the current state of photography.Works across a wide range of fields including fashion and advertising.
Born in Akita, Japan, in 1998, he studied in the Department of Photography at Tokyo Polytechnic University before leaving to pursue his own practice.
Since debuting his series hill in 2017, he has been presenting a wide range of experimental works through exhibitions and publications. His practice spans diverse approaches, from chemical interventions on film to glitch-based works such as luminous body’s (2018), created by overloading an old computer’s storage to capture the resulting visual errors. In autonomy (2019), he employed artificial intelligence to generate new imagery from a vast archive of his photographs, continuing his exploration of expanded photographic expression.
Working fluidly between analog processes, digital technologies, and conceptual fieldwork—as in his 2023 project cejitos, which began with unconscious typing and led to research trips in the United States—he remains deeply engaged with examining and reinterpreting the current state of photography.Works across a wide range of fields including fashion and advertising.